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like they call Chief Keef Sosa.” Keef’s adopted nickname, “Sosa,” is a reference to Alejandro Sosa, the drug kingpin in the movie Scarface. b a c k,” Cole pays tribute to Keef, rapping, “Address me as the G.O.A.T.

In Chicago rap circles, few MCs are as important to drill as Chief Keef. Though the track is brief, Cole manages to fit a bevy of references into “i n t e r l u d e.” He begins: “My homie’ homie got out on parole/He sold more Coca-Cola than the soda industry.” That line is loosely based on Notorious B.I.G.’s legendary “Kick In The Door,” where he raps, “Sold more powder than Johnson and Johnson.” At the end of that couplet, Cole also pays tribute to two rap legends who left the world too soon: “Christ went to Heaven age thirty-three/And so did Pimp C and so did Nipsey.” Cole raps: “Ignorance is bliss and innocence is just ignorance before it’s introduced to currency and clips/Or bad licks that have a n-a servin’ three to six, s–t.” Cole mentions money and the object that’s inserted into the magazine of a gun, but he’s also shouting out New Orleans legend Curren$y and Pusha T’s group, Clipse, before referring to Memphis all-timers Three 6 Mafia at the end of the refrain. h a n d, ” Cole manages to shout out Curren$y, Clipse, and Three 6 Mafia in an extremely clever way. He raps, “Just did the mental math and calculated my worth/Shit crazy, didn’t know I got more M’s than a real Slim Shady video/Big Boss, less Rick Ross, more like a wavy Hideo Kojima.” The reference to Eminem is clever, equating his wealth to the amount of views the typical Eminem video receives on YouTube. p r e s s u r e,” Cole doesn’t allude to other MCs’ rhymes as much as he shouts out peers and mentors. It’s my time now, my world, my life, my life.” Monch raps, “My life is all I have/My rhymes, my pen, my pad/And I done made it through the struggle, don’t judge me/What you say now won’t budge me/’Cause where I come from, so often/People you grew up with are layin’ in a coffin/But I done made it through the pain and strife Here he lifts the chorus from Styles P’s “The Life,” on which Pharoah Monch handles the hook. life” is more straightforward than on other Cole tracks. Just a few lines later, Cole shouts out Queensbridge, Queens’ finest, Mobb Deep, when he raps, “This where the opps creep real slow/Won’t vote but they mob deep with the poles.” Poles here is slang for weapons, which Cole cleverly uses to be heard as “polls.”
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The original reads, “Did you hear about the rose that grew/from a crack in the concrete?” The rhyme was later released as a posthumous song. First, he raps, “Out of the concrete was a rose and winters was cold,” which comes from a poem written by Tupac Shakur. In the span of four bars on “a m a r i,” Cole manages to make subtle allusions to rap Hall of Famers. Cole is situating himself amongst the all-time greats.

State Of Mind” from Illmatic, Nas raps, “It drops deep as it does in my breath/I never sleep, ‘cause sleep is the cousin of death.” From the first moments of The Off-Season, J. He spits, “I get up, dust my clothes off, sleep is the cousin of death/No plans to doze off, the streets, it don’t come with a ref.” On “N.Y. He raps, “Back and forth from NC to New York when Jeezy had the crown,” alluding to the early 2000s when Atlanta stalwart Young Jeezy (now just Jeezy) was dominating the landscape thanks to his glossy, anthemic raps.Ĭole is, above all, a student of rap, so it’s no surprise that he goes on to reference Nas. Throughout the track, the Carolina MC uses rap references to situate just how long he’s been running the rap game. The Diplomats legend yelps his signature “Killa!,” before ceding the way for Cole’s first verse. To begin The Off-Season, Cole recruited New York rap icon Cam’ron. Let’s take a look at how he does this throughout The Off-Season. Cole is not only a rapper at the height of his powers, but the rare MC that can juggle the present and a growing legacy at the same time. Two, he places himself firmly within the canon of all-time MCs. One, he flexes his deep understanding of the themes that have remained relevant over the course of rap’s history.
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By referencing artists like Jeezy, Eminem, and Nipsey Hussle, plus quoting lyrics from Nas, Notorious B.I.G., and Styles P, Cole does two things. Throughout The Off-Season, Cole references peers and legends, famous bars, and mythic stories. His deep understanding of hip-hop history, its key players, and its signature moments has allowed him to tap into the legacy of the game.
